![]() ![]() I've happily paid money for albums as widely loathed as Fork in the Road and Everybody's Rockin'. I've loved Young since I was old enough to spell "Cortez." Some of my earliest musical memories involve Everybody Knows This Is Nowhere blaring in my dad's Subaru wagon. ![]() ![]() Despite Young's somewhat ornery reputation-one veteran journalist described him as "surly and monosyllabic" in conversation-I jumped at the chance for a brief phone chat with a longtime hero. Would I like to interview Neil Young? Yes. The opportunity had fallen into my lap with the sudden shock of a surprise album drop. And, just as urgently, I was preparing to listen to Earth on the format Young required of me: Pono, the extremely high-resolution, "no-compromise" portable music player he's been developing for half a decade. I was preparing to interview Young, ostensibly about Earth, the album and (perhaps) the planet. Neil Young was preparing to release his bonkers new live album, Earth. ![]()
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